Santiago Alvarez
AI Generalist
Skills
Tools
Video Generation
Image Generation
Aggregator platforms
Design & Layout
3D & Spatial
Music & Audio
LLMs & Writing
About Santiago Alvarez
I'm Santiago, and I think I can call myself an AI creative producer. I'll be honest — at the beginning I had no idea how to do anything. No composition, no angles, no color, no editing, no grading, no cameras. Nothing. So I taught myself, piece by piece, cut by cut, and the ideas got better and better. Then I noticed the ideas and stories were just showing up. People kept asking how I come up with them. Honestly? I don't know. I just get a little hint, and once I set the path, every shot, storyline and line of dialogue starts popping up in my head. Then I found the AI world, and it clicked: the millions brands burn on production — crews, cameras, locations, weeks of pre-pro and post — can collapse into one creative and a subscription. That's where I live now. These days it's mostly ads people actually stop for, plus short films and campaigns. Creativity and speed: ideas come fast, ship faster, and skip six layers of approval. Any idea, now, becomes real.
2026
Alva — Showreel
An old man says AI can't do anything. The page answers him. One bookend, sixteen worlds, 2:50 of brand films, spec ads and short films compressed into a single transmission.
Advert · 2026
Lotus
A white car, shown in pieces. White places and black ones, one red: the rings around its tail. Every shot blocked in Blender, then generated, cut and graded. The car is never seen whole until the end.
Advert · 2026
Pills
A pharma-ad parody in three problems. Three customers, one host who bursts in with the same bottle every time. The problems get bigger. The promise never changes. Original jingle, 3:40.
Advert · 2026
Winrar
“Before the beginning there was nothing much, and me.” A creation epic narrated by one object that survives every era. Prestige documentary, dead serious. The object is the joke.
Short Film · 2026
Apollo
July 1969, the giant leap, staged twice. Launch, the world at its TV sets, the crossing, the landing, the flag. Then the slate. 8:13, in full colour and a 1969 black-and-white version.
Advert · 2026
Noise-B-Gone
One button. Blessed, industrial-grade silence. A beige 90s remote with a giant red MUTE that works on people, sold with a straight face on a CRT. Only $19.99.
Short Film · 2026
Noncompliants
A nature documentary about the most patient predator the planet has ever produced. The surveillance state, filmed the way we film lions. Attenborough-calm, admiring, never afraid.
Working with Santiago
There are currently no reviews for Santiago. Reviews will appear here after completed work is moderated.





